Charlotte Dualé’s studio is hiding in plain sight. The former clubhouse of a garden community in eastern Berlin still announces itself as a Gaststätte, with community notices, a space to…[read on]
The warmth of another muggy summer’s day radiates into Pauline Curnier Jardin’s studio. Tucked away in a courtyard just off the Maybachufer, the muffled sounds of…[read on]
In a recent visit to Michelle Jezierski’s studio, writer Kimberly Bradley talked to her about the process of painting and more specifically, the genre of landscape painting. In Jezierski’s…[read on]
Much more than just a picturesque landscape, the depth and dynamism of Berlin native Michelle Jezierski’s work is beautifully captured in the recently published book ‘Simultaneous…[read on]
Last week Henrike Naumann opened her first exhibition in the U.S. at New York’s Sculpture Center. Like many of her shows, ‘Re-Education’ consists of installations made of found…[read on]
In the summer of 2007, Schinkel Pavillon opened doors to its first exhibition—Sylvie Fleury’s ‘Hypnotic Poison.’ The Swiss artist showed futuristic-looking, mushroom-shaped…[read on]
Anna Ehrenstein leads us up a few flights of stairs to her Lichtenberg studio where we enter a large room with windows overlooking a particularly grey industrial corner of Berlin…[read on]
The sign above the studio entrance reads “Video Inn,” written in all caps and now coloured by an 80s patina. There, we meet painter Elif Saydam, sitting on the steps of the former video…[read on]
We spoke to Lucy Beech about her ‘Passive Aggressive’ series, as well as her ongoing artistic research into waste and salvage as a form of survival…[read on]
The English poet and publisher Sam Riviere is known for works that challenge ideas of originality and authorship. Riviere harvests language from various sources to create…[read on]
Last week, we took part in a journey to the Ruinart champagne fields, where Berlin-based artist Tomás Saraceno presented ‘Movement,’ as part of his ‘Aerocene’ project…[read on]
Eli Cortiñas explores industry, power, politics and memory in her collage-like works of found footage and imagery mixed with her own material…[read on]
