Posts Tagged ‘extraction’

Invitation into the Void: An Interview with Daniel Boyd

by Isabelle Hore-Thorburn // Apr. 25, 2023

For almost two decades, Indigenous artist Daniel Boyd has confronted and disrupted the misrepresentations of colonial narratives that comprise the history of so-called…[read on]

Ana Alenso

by Adela Lovric // Feb. 11, 2023

Noises from the nearby construction site disturb an otherwise idyllic morning at Ana Alenso’s studio in Berlin-Wedding⁠⁠. It seems, however, as if the droning soundscape of heavy machinery…[read on]

‘Fossil Experience’ at Wasserspeicher: An Interview with the Curators

by Nadia Egan // Apr. 14, 2022

We spoke with exhibition curators Lena Johanna Reisner and Sonja Hornung about the inspiration and thinking behind their curatorial work, participating artists in the show…[read on]

The Mine as Metaphor: An Interview with Simon Denny

two large machine-like sculptures, one with a propeller, stand in a white walled gallery space

by Lucia Longhi // Mar. 1, 2021

The exhibition is a deep-dive into the ethics of mining for minerals and data, resulting in a presentation of extractivism as a whole paradigm of the human attitude…[read on]

Ancestral Healing: An Interview with Sara Sejin Chang

A screen in a dark room with blue, green and white watercolour shapes. There are people watching the screen.

by Aoife Donnellan // Feb. 23, 2021

Sara Sejin Chang’s (Sara van der Heide) work engages with extractivism in a cultural and personal sense…[read on]

Prying Geologies: An Interview with Nicholas Mangan

by Hannah Carroll Harris // Feb. 12, 2021

Ancient stone artefacts, air-cooling systems, insect communication and cryptocurrency. These seemingly disparate phenomena are but some of the sprawling curiosities which…[read on]

Nightmare at the Museum: An Interview with Coalition of Cultural Workers Against the Humboldt Forum

poster with photo of person in a colorful dress and zombie mask in front of Humboldt Forum, text reads 'I don't participate because I don't want to be added to 42,000 Quadrameter Vielstimmigkeit, Austausch und Diversität'

by Noëlle BuAbbud // Feb. 5, 2021

“Berlin’s newest landmark” is built on smoke and mirrors, a space of feigned criticality that purports to promote a narrative of cultural exchange and debate…[read on]

Counter-Cartographies: An Interview with Cian Dayrit

A detailed shot of a tapestry, embroidered with a map reading "novu imperialismus capitalismus" across the top is mounted on a green gallery walll

by William Kherbek // Jan. 19, 2021

We spoke to Cian Dayrit about how art can render the concealed visible, and the ways artists can challenge cultures of extraction…[read on]

Otobong Nkanga’s ‘There’s No Such Thing as Solid Ground’ Opens at Gropius Bau

berlinartlink announcement otobong nkanga

July 07, 2020
Last year, Nigerian-born, Antwerp-based visual and performance artist Otobong Nkanga was ‘In House: Artist in Residence’ at Gropius Bau in Berlin. On July 10th, she will open her solo exhibition at the museum…[read on]

Posts Tagged ‘extraction’

Invitation into the Void: An Interview with Daniel Boyd

by Isabelle Hore-Thorburn // Apr. 25, 2023

For almost two decades, Indigenous artist Daniel Boyd has confronted and disrupted the misrepresentations of colonial narratives that comprise the history of so-called…[read on]

Ana Alenso

by Adela Lovric // Feb. 11, 2023

Noises from the nearby construction site disturb an otherwise idyllic morning at Ana Alenso’s studio in Berlin-Wedding⁠⁠. It seems, however, as if the droning soundscape of heavy machinery…[read on]

The Mine as Metaphor: An Interview with Simon Denny

by Lucia Longhi // Mar. 1, 2021

The exhibition is a deep-dive into the ethics of mining for minerals and data, resulting in a presentation of extractivism as a whole paradigm of the human attitude…[read on]

Ancestral Healing: An Interview with Sara Sejin Chang

by Aoife Donnellan // Feb. 23, 2021

Sara Sejin Chang’s (Sara van der Heide) work engages with extractivism in a cultural and personal sense…[read on]

Prying Geologies: An Interview with Nicholas Mangan

by Hannah Carroll Harris // Feb. 12, 2021

Ancient stone artefacts, air-cooling systems, insect communication and cryptocurrency. These seemingly disparate phenomena are but some of the sprawling curiosities which…[read on]

Nightmare at the Museum: An Interview with Coalition of Cultural Workers Against the Humboldt Forum

by Noëlle BuAbbud // Feb. 5, 2021

“Berlin’s newest landmark” is built on smoke and mirrors, a space of feigned criticality that purports to promote a narrative of cultural exchange and debate…[read on]

Counter-Cartographies: An Interview with Cian Dayrit

by William Kherbek // Jan. 19, 2021

We spoke to Cian Dayrit about how art can render the concealed visible, and the ways artists can challenge cultures of extraction…[read on]

Otobong Nkanga’s ‘There’s No Such Thing as Solid Ground’ Opens at Gropius Bau

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by Isabelle Hore-Thorburn // Apr. 25, 2023

For almost two decades, Indigenous artist Daniel Boyd has confronted and disrupted the misrepresentations of colonial narratives that comprise the history of so-called…[read on]

by Adela Lovric // Feb. 11, 2023

Noises from the nearby construction site disturb an otherwise idyllic morning at Ana Alenso’s studio in Berlin-Wedding⁠⁠. It seems, however, as if the droning soundscape of heavy machinery…[read on]

by Nadia Egan // Apr. 14, 2022

We spoke with exhibition curators Lena Johanna Reisner and Sonja Hornung about the inspiration and thinking behind their curatorial work, participating artists in the show…[read on]

by Lucia Longhi // Mar. 1, 2021

The exhibition is a deep-dive into the ethics of mining for minerals and data, resulting in a presentation of extractivism as a whole paradigm of the human attitude…[read on]

by Aoife Donnellan // Feb. 23, 2021

Sara Sejin Chang’s (Sara van der Heide) work engages with extractivism in a cultural and personal sense…[read on]

by Hannah Carroll Harris // Feb. 12, 2021

Ancient stone artefacts, air-cooling systems, insect communication and cryptocurrency. These seemingly disparate phenomena are but some of the sprawling curiosities which…[read on]

by Noëlle BuAbbud // Feb. 5, 2021

“Berlin’s newest landmark” is built on smoke and mirrors, a space of feigned criticality that purports to promote a narrative of cultural exchange and debate…[read on]

by William Kherbek // Jan. 19, 2021

We spoke to Cian Dayrit about how art can render the concealed visible, and the ways artists can challenge cultures of extraction…[read on]

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Recent Posts

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