This year, the renowned champagne house Ruinart has entrusted Jeppe Hein with its ‘Carte Blanche’ project, which offers a new artistic interpretation of Ruinart’s history and process…[read on]
Through humor, Rachel Youn delivers to the public personal and collective feelings related to socio-political aspects such as queerness, failed social standards and a “cosmic…[read on]
In his latest exhibition, his first solo show in Berlin since 2018, the Berlin-based, Swiss artist Julian-Jakob Kneer examines the self-mythologizing role of the artist…[read on]
Last week, we took part in a journey to the Ruinart champagne fields, where Berlin-based artist Tomás Saraceno presented ‘Movement,’ as part of his ‘Aerocene’ project…[read on]
Article by Dagmara Genda // Mar. 27, 2020
It could be cynical to say that Daniel Steegman Mangrané should consider himself lucky for the chain of events that have made ‘Fog Dog’ at Esther Schipper even more alienating, uncanny and strange…[read on]
Being submerged in an underwater sound bath in the basement of a Berlin club may not seem like the most meditative experience, but somehow sitting on the floor alongside…[read on]
Article by Berlin Art Link // Dec. 02, 2018
Every two years, internationally recognized artists working in light, video and sound illuminate the city of Dallas, Texas, for a one-night-only exhibition, curated under the theme ‘Future Worlds’ by DooEun Choi (NYC), Justine…[read on]
Article by William Kherbek // Aug. 28, 2018
Earlier this year, Juliette Desorgues curated an exhibition for artmonte-carlo entitled ‘Hypersea,’ featuring the work of artists including Mimosa Echard, Rebecca Jagoe, Jala Wahid, the Young Girl Reading Group and…[read on]
Article by Berlin Art Link // July 14, 2018
Having studied fashion design, textiles are inherent to Brooklyn-based artist Susan Cianciolo’s practice. Her patchwork garments have been featured by the likes of Vogue and Barneys for the past 20 years,…[read on]
Article by Louisa Stark in Berlin // Apr. 7, 2018
Chiharu Shiota’s installation ‘Beyond Time’ overruns the 18th century Chapel at Yorkshire Sculpture Park like an enormous spider’s web web or Duchamp’s ‘mile of string.’ It comprises of 2,000 balls of white wool…[read on]
Blog post by April Dell – in Berlin; Thursday, Sep. 24, 2015.
Abjection in the information age is rooted in a distrust of communication and information dissemination, a fear of infinite possibilities, alienation in a digital world, and a mourning for authenticity. Abjects is the latest exhibition at Import Projects, a group show featuring Eloise Bonneviot, Emily Jones, Paul Kneale, Yuri Pattison, and Andrew Norman Wilson…[read on…]
