Reality Ruined and Rebuilt: An Interview with Victoria Pidust and Volo Bevza
by Natasha Klimenko // Mar. 15, 2022
On the 12th day of the war, we spoke to Ukrainian artists Victoria Pidust and Volo Bevza about their current experiences, absurdity and how reality is rebuilt by media…[read on]
May 04, 2019
What power does photography have in revealing social and political truths in the digital age? How are new methods of making, sharing and viewing photography changing our understanding of reality…[read on]
Article by Johanna Hardt // Feb. 22, 2019
Singular authority figures no longer dictate truth. Networks of our own peers haven taken their place. Facts and counterfacts look identical. Fake news becomes the defining characteristic of our current…[read on]
Article by Adela Kim in Washington D.C. // Jan. 30, 2018
At first, the Museum of the Bible in Washington D.C. seems like any other museum. Monumental white-marble pillars sprawl across the entire complex; large overheard glass panels emit natural light, illuminating the…[read on]
Article by Rebecca Partridge in Berlin // Jan. 23, 2018
For more than two decades, Jon Thomson and Alison Craighead’s conceptual practice has spanned across video, sculpture, sound, installation and the internet, the duo often utilises live data and/or archive materials…[read on]
Article by Jess Harrison // Jan. 10, 2018
Torbjørn Rødland’s ‘Back in Touch’ constructs a provocative world, one in which the familiar is destabilized and reality is intersected with disturbing details…[read on]
Article by Penny Rafferty in Berlin // Jan. 08, 2018
2017 was the year that the truth about sexual misconduct within the cultural sphere broke the headlines—and not just with high profile individual cases like Harvey Weinstein and Artforum’s Knight Landesman being…[read on]
Article by Jack Radley in Berlin // Jan. 05, 2018
‘Evidentiary Realism’ at Nome Gallery uncovers a new wave of realism, one that divulges the underbelly of evidence from larger social systems. The exhibition is curated by Paolo Cirio—an artist who…[read on]
Article by Alice Bardos – in Berlin // Fri, Mar. 18, 2016.
At the heart of
Anna Oppermann’s
Paradoxical Intentions lies a concave cluster of mirrors and window panes which are seemingly infinitely replicated and reflected upon in her surrounding kaleidoscopic sketched, painted, textual and photographic ensemble. In spite of the…
[read on…]
