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Interview by Nina Prader // Mar. 26, 2019
Once again, Henrike Naumann is tasked with installing the last exhibition in a space before a change: ‘Ostalgie’ is the farewell show at KOW’s Brunnenstraße address. In this “Abrissparty” (demolition party),…[read on]
Article by William Kherbek // Mar. 22, 2019
“Where are we?” As the opening images of Eric Baudelaire’s Also Known as Jihadi appeared, depicting what I would later learn were the streets and neighborhoods of Val-de-Marne in France, the…[read on]
Article by Sarah Messerschmidt // Mar. 18, 2019
Aki Aora, a residency programme in Tulum, Mexico, cultivates a particular focus on the local, aiming to include, and possibly even highlight, those working at the regional level…[read on]
Interview by Lucia Longhi // Mar. 01, 2019
Ewa Juszkiewicz’s work stems from a substantial failure in the history of art: the portrayal of women. Rather than the depiction of a person, portraits of women – especially in the Renaissance – were a composition…[read on]
Article by Celia Wickham // Feb. 26, 2019
‘A Fortnight of Tears’, Tracey Emin’s latest major exhibition currently on display at White Cube in Bermondsey (London), features a vast range of work, from neon and sculpture, to paintings and drawings, to photographs and film…[read on]
Interview by Berlin Art Link // Feb. 19, 2019
This year SAVVY Contemporary has announced a programme of exhibitions, research projects, events and collaborations with partners like the Rachel Carson Centre, under the heading ‘The Invention of Science’…[read on]
Article by Sofia Bergmann // Feb. 12, 2019
When considering Suara Welitoff’s exploration of time and human behaviour through absent narrative and video experimentation, it is no surprise that John Cassavetes is one of her inspirations…[read on]
Article by Louise Trueheart // Feb. 08, 2019
Zoom from 3rd century BC to approximately 2080, at Kottbusser Tor perhaps, and you’ll find yourself at the beginning of Sergiu Matis’ newest work, ‘Hopeless’. It begins in a post-apocalyptic,…[read on]
Article by Sarah Messerschmidt // Feb. 01, 2019
Vocal performance can be as palpable as it is sonic. The series ‘From Breath to Matter’ (FBTM), founded in 2017 by Alessio Castellacci and Jule Flierl, engages this philosophy in a series of…[read on]
Interview by Rebecca Partridge // Jan. 25, 2019
The work of artist Florence Peake flies in the face of conservatism. Literally. Wet slopping clay, hurled across the gallery. Her practice morphs between performance, painting and sculpture and though…[read on]
Interview by Celia Wickham // Jan. 22, 2019
Tannaz Motevalli is an interdisciplinary Baltimore-based artist, whose work focuses on bodies of language, desire and identity. Her practice is highly autobiographical and shaped around her experiences of living with chronic…[read on]
Article by Jack Radley // Jan. 11, 2019
For Bruce Nauman, touch is sensual and sexual, prohibitive and encouraged, instinctual and directed. Spanning both the Museum of Modern Art and MoMA PS1, ‘Disappearing Acts’…[read on]
