Article by April Dell, Photos by Greg Bannan in Berlin // Dec. 14, 2015.
While snow carpeted the enormous Malzfabrik complex in Tempelhof, Andreas Greiner invited Berlin Art Link into his studio space housed in…[read on]
Article by TL Andrews – in Berlin; Tuesday, Dec. 08, 2015.
Science does not happen in a vacuum. That is the message of Robert Marc Friedman
‘s new play Transcendence
currently running in the Berlin English Theatre
. The play is a beautiful portrait of a moment in history in which racism and nationalism seem to rip apart the very fabric of space…[read on…]
Article by Alison Hugill, Photos by Alexander Coggin in Berlin // Dec. 3, 2015
Nearing the close of our visit to Tomás Saraceno’s studio in Rummelsburg, he offered an apt metaphor that summed up the working environment…[read on]
Article by Alice Bardos – in Berlin; Tuesday, Dec. 1, 2015.
An immediate sense of a binary fragility and imposition washes over the mind when a person steps into Dittrich & Schlechtriem’s newly curator exhibition, In the Land of the Blind the One Eyed Man Loses Sight. The display formally explores the ideas of environment, time, space, and ontology. These are embodied in works such as Karin Lehmann’s …[read on…]
Article by Alison Hugill, Photos by Ériver Hijano in Berlin // Nov. 24, 2015
Susanna Hertrich’s artistic practice occupies a privileged position as both interpreter and active participant in the otherwise largely…[read on]
Article by April Dell in Berlin // Nov. 13, 2015.
In the historical mansion-turned-contemporary art gallery at Haus am Waldsee, the visually intriguing and thought provoking solo exhibition by Alicja Kwade, Monologue from the 11th Floor, is soon coming to an end. Outside in the large gallery grounds, autumn debris littering the sculpture garden is a seasonal reminder of the…[read on…]
Article by Marta Jecu – in Berlin; Thursday, Nov. 12, 2015.
Interdisciplinarity is not just about combining methodologies, but also about the capacity to navigate around them, to handle a hybrid-situation that could give birth to a new creative medium. Looking back on the art of the 20th century’s last decades, it becomes evident that, in order to have certain micro-climates or contexts that can generate something new, there has always been a dominant situation of incompatibilities, social or political rifts, and disparities….[read on…]
Article by Miron Ghiu – in Bucharest; Tuesday, Nov. 10, 2015.
I will begin this text by saying that my short incursion within the Romanian underground music scene is not, by far, a theorization on what “underground” means. Within this gray area it is impossible, forbidden even, to label things as if they were store products on shelves. Those I will write about are not products, nor do they make “radio music” using patterns and recipes…[read on…]
Interview by Alison Hugill – in Stockholm; Saturday, Oct. 31, 2015.
Last month, the biennial Absolut Art Award
was presented to two nominees, one for Art Work and one for Art Writing, at a gala event in Stockholm. In an amusing twist of fate, the award certificates were accidentally printed with the wrong names on the night of the event, unofficially awarding Mark Godfrey
the prize for Art Work, and Frances Stark
the prize for Art Writing…[read on…]
Article by Göksu Kunak – in Berlin; Wednesday, Oct. 28, 2015.
It’s thrilling to hear stories or watch films about divided Berlin, recognizing an extremely different Potsdamer Platz covered in dirt and dust. I recently visited the university I used to work at as a research and teaching assistant in Ankara, Turkey. One of my professors was studying in Berlin back in 1989. In a proud way, he reminisced…[read on…]
Article by Valentina Iancu – in Bucharest; Tuesday, Oct. 27, 2015.
The death of painting, which was emphatically announced after 1935 and has been repeatedly acclaimed in modernism, post-modernism, while still debated in some artistic mediums, is becoming an actual problem in the new capitalist cultural geographies of Eastern Europe. Being an instrument of communist propaganda, painting is mistrusted by the avidly reformed artistic community of the 90s…[read on…]
Article by April Dell – in Berlin; Monday, Oct. 26, 2015.
Contemporary painting is often quoted as commercial, unoriginal, and irrelevant. Theorists have been claiming the death of painting since the establishment of Modernism, and shouts of its resuscitation have echoed since the 1980s. Though perhaps not leading the avant garde in recent decades, painting continues to carry weight in the collections of art institutions…[read on…]