Exploring the intersections of composition and community and re-imagining the sound of collaboration in his practice, Ari Benjamin Meyers first develops his projects in his studio…[read on]
The Project Space Festival—founded in 2014 to make the diversity of Berlin’s project space scene visible—focuses on the independence, resilience and impact of the local art scenes…[read on]
Carola Spadoni’s work ‘The Peripatetic Film & Video Archive’ (2022) presents, through an elaborately conceived archival practice, decades of footage shot by the artist…[read on]
Benjamin Busch welcomes viewers to navigate five digital landmarks in his project ‘Scanning the Horizon,’ first launched in December 2021 at the Schwules Museum…[read on]
Starting this month and running throughout November, The Institute for Endotic Research (TIER) and dance curator Elena Basteri have initiated the transdisciplinary…[read on]
Examining themes around fertility, reproduction, coloniality, gender and race, Luiza Prado de O. Martin’s artistic and research practice urgently critiques the biopolitical structures that underpin everyday life…[read on]
Article by Benjamin Busch // June 03, 2019
How to trace nonbinary relations at the Venice Biennale, an aging institution burdened by spatial subdivision into national domains of representation? With a queer transversal approach…[read on]
Article by Benjamin Busch // Aug. 14, 2018
Titled ‘We Don’t Need Another Hero,’ the 10th Berlin Biennale emphasizes a refusal of the status quo, of the imagined necessity of a savior to free us from the messy present…[read on]
Article by Benjamin Busch in Berlin // Mar. 30, 2018
Zach Blas’s work ‘Contra-Internet’ explores the glowing, gushing and violent ends of Silicon Valley’s utopian ideologies. Its centerpiece, a short film titled ‘Jubilee 2033’, follows Ayn Rand on an acid trip…[read on]
Article by Benjamin Busch in Berlin // Jan. 17, 2017
The history of computation in art is long and varied, continuously shifting to meet the latest update’s minimum requirements. Artists and curators go on about algorithms and their impact on society, but what…[read on]
Article by Benjamin Busch in Berlin // Sep. 02, 2016
Last year’s popular book ‘Inventing the Future: Postcapitalism and a World Without Work’ (Verso) set forth three interwoven political…[read on]
Article by Benjamin Busch – in Berlin; Friday, Feb. 12, 2016.
In the last keynote conversation of transmediale 2016, Hito Steyerl presented a perplexing image to the audience. The classified material leaked by Edward Snowden seemingly presents little more than static, or noise. Encrypted, the image would traditionally require machine decryption…[read on…]
