Posts Tagged ‘Nadim Samman’
Techno-Lords and User-Serfs: ‘Poetics of Encryption’ at KW
by Andrey Shental // Mar. 7, 2024
In the era of techno-feudalism, one’s fortune is dictated by mastery of the algorithm. Patents, copyrights and know-how serve as the protective walls of modern citadels, shielding the…[read on]
Open Call for Berlin Project Space Festival 2024
Feb. 13, 2024
The Project Space Festival—founded in 2014 to make the diversity of Berlin’s project space scene visible—focuses on the independence, resilience and impact of the local art scenes…[read on]
Worldwide Exhibition Hit List: Art Openings February 2024
Feb. 1, 2024
Every month, Berlin Art Link shines a spotlight on international exhibitions and events with our Worldwide Hit List. Check out our picks for February here…[read on]
The Week Apr. 24–30, 2023: Gallery Weekend
Gallery Weekend Berlin, openings and events at Fluentum, BODE, Amtsalon, Ronewa Art Projects, KORNFELD, 68projects, Barbara Wien, HAU3, Sweetwater, ECHOES, Soy Capitán, St. Elisabeth-Kirche, Schwartzsche Villa, Kühlhaus, E-WERK Luckenwalde,…[read on]
The Last Museum: An Interview with Curator Nadim Samman
by Alison Hugill // May 28, 2021
We spoke to curator Nadim Samman about the design for the exhibition ‘The Last Museum’ and what it proposes for the future of digital and non-digital artworks…[read on]
Virtual Viewing: Art to See Online Now
Jan. 7, 2021
Due to the ongoing pandemic, museums, cultural centers, galleries, universities and exhibitions are closed. Therefore, we’ve created a supplement of art exhibitions, festivals, films…[read on]
The Great Indoors: Fabian Knecht’s ‘ISOLATION’
Article by Dehlia Hannah and Nadim Samman // Sep. 07, 2019
On July 22, 1958 Carl Andre sent a postcard to Nancy Holt and Robert Smithson. The photograph on the front depicted a verdant aerial view of…[read on]
Christian Fogarolli: Uncovering the Stone of Madness
Article by Lucia Longhi // Jan. 04, 2018
Christian Fogarolli’s artistic practice has largely focused on archival research on the many different ways illnesses and mental disturbances have been cured in the past, and the social implications of these practices…[read on]
As We Used to Float: An Interview with Julian Charrière
Article by Isabelle Hore-Thorburn // Sept. 12, 2018
Julian Charrière is the 2018 recipient of the GASAG Art Prize. His career to date articulates the award’s focus on the intertwining of art, technology and science. Since studying under Olafur Eliasson at the…[read on]
Announcement // ‘Check Out’ at Import Projects
Berlin // Jan. 24, 2018
As part of the Vorspiel programming for the 2018 transmediale festival, Import Projects, the nonprofit independent project space known for its innovative programming dissecting cultural…[read on]
Interview // Motherly Love North Korea 어머니 사랑으로 북한을: Curator Nadim Samman
Article by Kimberly Budd in Berlin // Oct. 14, 2017
Amidst the increasing friction between the US and North Korea, curator Nadim Samman and Korean-American artist Mina Cheon have collaborated on a project and upcoming exhibition set to offer…[read on]