Posts Tagged ‘review’

A Challenge to Listening: Maryanne Amacher’s ‘GLIA’ at CTM

a man stands behind a sound board in a dark room, the front of his body lit up by a lamp

by Johanna Hardt // Feb. 10, 2023

Ensembles Contrechamps and Zwischentöne brought the performance to life under the direction of Bill Dietz, who had collaborated with Amacher for many years and is dedicated to…[read on]

‘Don’t Panic:’ 3hd Festival at soft power

Screen with a video on it placed in a red lit room

by Moses Hubbard // Nov. 15, 2022

‘Don’t Panic,’ on view at soft power until November 20, is part of 3hd 2022, the annual interdisciplinary festival from Berlin-based art platform Creamcake. The exhibition brings together…[read on]

The More Real Than Real World of Ed Atkins

by Julia Mazal // Oct. 26, 2022

To what extent can technology mimic reality? British media artist Ed Atkins explores this very question in his solo exhibition at Galerie Isabella Bortolozzi. The exhibition takes you…[read on]

Symbiotic Relationships at the Screen City Biennial

by Julia Mazal // Oct. 14, 2022

The first chapter of the usually Norway-based Screen City Biennial (SCB), titled ‘Other Minds,’ makes its Berlin debut in the Archenhold Observatory, as well as a number…[read on]

New Cinematic Explorations in the Swiss Alps

A phone still of someone putting on make up

by Adela Lovric // Oct. 11, 2022

As a two-time host of the Winter Olympics and the place where winter holidays were supposedly invented, St. Moritz isn’t the most obvious location for a summer art festival. However,…[read on]

Manifesta 14 in Prishtina, by Prishtina, for Prishtina

The night sky shining over a building in Pristina upon which large letters were installed

by Tim Brinkhof // Aug. 29, 2022

Manifesta 14 provides one of those rare instances where the exhibition space is as interesting as the exhibits they contain. The epicenter of this year’s biennial, held in Prishtina…[read on]

‘the state I am in’ at Capitain Petzel

an image of an artwork by Louise Lawler. It is a print on vinyl that looks like a distorted green landscape against a background of white

by Natalie Russett // July 20, 2022

We often forget that the nation-state is a modern construct in political discourse. It’s only in times of war or crisis that its imaginary borderlines and principles show themselves to…[read on]

Agnès Varda’s ‘Third Life’ at Silent Green

by Kate Channer // July 5, 2022

The ex-crematorium turned Kulturquartier presents an exhibition that begins on the sunlit grass outside then travels underground into the multiverse of Agnès Varda’s “third life,”…[read on]

Forces of Abstraction: ‘Rigged’ at Kraupa-Tuskany Zeidler

a digital painting with colorful abstract bodies emanating out of one another

by Nadia Egan // Mar. 15, 2022

Pieter Schoolwerth’s ‘Rigged’ at Kraupa-Tuskany Zeidler (KTZ) explores the ways in which we see the world and ourselves in an age of hyper-mediation…[read on]

Retrofuturism and Estrangement: Klára Hosnedlová’s ‘Nest’ at Kraupa-Tuskany Zeidler

by Intissare Aamri // Dec. 22, 2020

Born in the Czech Republic and now based in Berlin, Hosnedlová conducted an extensive investigation of Ještěd Tower, a 94-meter-tall television transmitter…[read on]

The Brevity and Materiality of Heike-Karin Föll

Article by Ernela Vukaj // July 03, 2019
‘speed’ is Heike-Karin Föll’s first institutional solo show. Showing at the KW Institute for Contemporary Art until September 1st, the exhibition is an overview of the Berlin-based…[read on]

Doubt in Contemporary Digital Media: ‘Part II’ at Aperto Raum

Lucas Gutierrez: Content Indifference // Photo Credits Lucas Gutierrez

Article by Johanna Hardt // Feb. 22, 2019
Singular authority figures no longer dictate truth. Networks of our own peers haven taken their place. Facts and counterfacts look identical. Fake news becomes the defining characteristic of our current…[read on]

Posts Tagged ‘review’

A Challenge to Listening: Maryanne Amacher’s ‘GLIA’ at CTM

by Johanna Hardt // Feb. 10, 2023

Ensembles Contrechamps and Zwischentöne brought the performance to life under the direction of Bill Dietz, who had collaborated with Amacher for many years and is dedicated to…[read on]

‘Don’t Panic:’ 3hd Festival at soft power

by Moses Hubbard // Nov. 15, 2022

‘Don’t Panic,’ on view at soft power until November 20, is part of 3hd 2022, the annual interdisciplinary festival from Berlin-based art platform Creamcake. The exhibition brings together…[read on]

The More Real Than Real World of Ed Atkins

by Julia Mazal // Oct. 26, 2022

To what extent can technology mimic reality? British media artist Ed Atkins explores this very question in his solo exhibition at Galerie Isabella Bortolozzi. The exhibition takes you…[read on]

Symbiotic Relationships at the Screen City Biennial

by Julia Mazal // Oct. 14, 2022

The first chapter of the usually Norway-based Screen City Biennial (SCB), titled ‘Other Minds,’ makes its Berlin debut in the Archenhold Observatory, as well as a number…[read on]

New Cinematic Explorations in the Swiss Alps

by Adela Lovric // Oct. 11, 2022

As a two-time host of the Winter Olympics and the place where winter holidays were supposedly invented, St. Moritz isn’t the most obvious location for a summer art festival. However,…[read on]

Manifesta 14 in Prishtina, by Prishtina, for Prishtina

by Tim Brinkhof // Aug. 29, 2022

Manifesta 14 provides one of those rare instances where the exhibition space is as interesting as the exhibits they contain. The epicenter of this year’s biennial, held in Prishtina…[read on]

‘the state I am in’ at Capitain Petzel

by Natalie Russett // July 20, 2022

We often forget that the nation-state is a modern construct in political discourse. It’s only in times of war or crisis that its imaginary borderlines and principles show themselves to…[read on]

Agnès Varda’s ‘Third Life’ at Silent Green

by Kate Channer // July 5, 2022

The ex-crematorium turned Kulturquartier presents an exhibition that begins on the sunlit grass outside then travels underground into the multiverse of Agnès Varda’s “third life,”…[read on]

Forces of Abstraction: ‘Rigged’ at Kraupa-Tuskany Zeidler

by Nadia Egan // Mar. 15, 2022

Pieter Schoolwerth’s ‘Rigged’ at Kraupa-Tuskany Zeidler (KTZ) explores the ways in which we see the world and ourselves in an age of hyper-mediation…[read on]

Retrofuturism and Estrangement: Klára Hosnedlová’s ‘Nest’ at Kraupa-Tuskany Zeidler

by Intissare Aamri // Dec. 22, 2020

Born in the Czech Republic and now based in Berlin, Hosnedlová conducted an extensive investigation of Ještěd Tower, a 94-meter-tall television transmitter…[read on]

The Brevity and Materiality of Heike-Karin Föll

Doubt in Contemporary Digital Media: ‘Part II’ at Aperto Raum

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by Johanna Hardt // Feb. 10, 2023

Ensembles Contrechamps and Zwischentöne brought the performance to life under the direction of Bill Dietz, who had collaborated with Amacher for many years and is dedicated to…[read on]

by Moses Hubbard // Nov. 15, 2022

‘Don’t Panic,’ on view at soft power until November 20, is part of 3hd 2022, the annual interdisciplinary festival from Berlin-based art platform Creamcake. The exhibition brings together…[read on]

by Julia Mazal // Oct. 26, 2022

To what extent can technology mimic reality? British media artist Ed Atkins explores this very question in his solo exhibition at Galerie Isabella Bortolozzi. The exhibition takes you…[read on]

by Julia Mazal // Oct. 14, 2022

The first chapter of the usually Norway-based Screen City Biennial (SCB), titled ‘Other Minds,’ makes its Berlin debut in the Archenhold Observatory, as well as a number…[read on]

by Adela Lovric // Oct. 11, 2022

As a two-time host of the Winter Olympics and the place where winter holidays were supposedly invented, St. Moritz isn’t the most obvious location for a summer art festival. However,…[read on]

by Tim Brinkhof // Aug. 29, 2022

Manifesta 14 provides one of those rare instances where the exhibition space is as interesting as the exhibits they contain. The epicenter of this year’s biennial, held in Prishtina…[read on]

by Natalie Russett // July 20, 2022

We often forget that the nation-state is a modern construct in political discourse. It’s only in times of war or crisis that its imaginary borderlines and principles show themselves to…[read on]

by Kate Channer // July 5, 2022

The ex-crematorium turned Kulturquartier presents an exhibition that begins on the sunlit grass outside then travels underground into the multiverse of Agnès Varda’s “third life,”…[read on]

by Nadia Egan // Mar. 15, 2022

Pieter Schoolwerth’s ‘Rigged’ at Kraupa-Tuskany Zeidler (KTZ) explores the ways in which we see the world and ourselves in an age of hyper-mediation…[read on]

by Intissare Aamri // Dec. 22, 2020

Born in the Czech Republic and now based in Berlin, Hosnedlová conducted an extensive investigation of Ještěd Tower, a 94-meter-tall television transmitter…[read on]

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