Argentinian artist Tomás Saraceno’s Berlin studio is a space for experimentation and testing out intricate ideas. His working process is interdisciplinary, Saraceno uses knowledge from different fields…[read on]
The geometrical shapes and subdued colours of Katja Strunz’s works are aesthetically consonant with her high-ceilinged, brightly lit studio in Kreuzberg, as if they…[read on]
By Alison Hugill, photos by Alexander Coggin // Dec. 03, 2015
Nearing the close of our visit to Tomás Saraceno’s studio in Rummelsburg, he offered an apt metaphor that summed up the working environment of his office…[read on]
Article by Alison Hugill, Photos by Alexander Coggin in Berlin // Sep. 7, 2015
You’ve likely passed the unusual building on Brunnenstraße, clad with multi-coloured polycarbonate and emitting an opaque…[read on]
Article by Alena Sokhan, Photos by Conor Clarke in Berlin // Sep. 17, 2014
With their name reminiscent of a merchant firm from the beginning of the industrial age, Awst&Walther refers to the very much contemporary…[read on]
Article by Lucia Love, Photos by Nicole Motta in New York City // August 14, 2014
Artist studios in the city are as diverse as the neighborhoods that they crop up in. Always shifting through industrial blocks – anonymous areas…[read on]
Article by Alison Hugill, Photos by Claudia D’Alò in Berlin // July 9, 2014
Eyal Burstein points nonchalantly to the four corners of his Kreuzberg hinterhof studio space and labels them for me: “these are my prototypes…[read on…]
Article by AJ Kiyoizumi, Photos by Claudia D’Alò in Berlin // Jun. 03, 2014
In his recent channels of work, Przemek Pyszczek has painted with concrete and ripped apart playgrounds. As hardcore…[read on…]
Article by Alison Hugill, Photos by Dan Dorocic in Berlin // May 20, 2014
It’s challenging to arrange a studio visit with a collective of architects (ranging from 8-10 active members), all working on different…[read on…]
Article by Jazmina Figueroa, Photos by Stephanie Third in Berlin // Nov. 19, 2013
At the Plastique Fantastique office, I was first struck by the atmosphere: a low-lit corridor with a few disco balls and model airplanes…[read on]
