Oral histories, storytelling, and their interconnectedness to land and water are vital to First Nations culture and art in so-called Australia, where Indigenous systems of knowledge…[read on]
Kubra Khademi (1989) is an Afghan artist who moved to Paris in 2015 after receiving threats in response to a performance on violence against women that she staged in…[read on]
One could say that Nadya Sayapina’s life and art are inextricably marked by a double occupation—the now almost permanent occupation of Belarus by Russia, as well as…[read on]
HKW is currently presenting a curated cluster of works by veteran filmmaker Alanis Obomsawin. Born into the Abenaki First Nation, Obomsawin has documented, celebrated and mourned…[read on]
We spoke to curator Corina L. Apostol about the themes explored in the upcoming exhibition and the critical approach to colonial histories taken by the artistic team, in collaboration with…[read on]
Dutch artist Renzo Martens—famous for numerous, complex, sometimes repulsive, acts of artistic holy foolery—is back with a new chapter in his ongoing project at KOW in Mitte,…[read on]
On the 12th day of the war, we spoke to Ukrainian artists Victoria Pidust and Volo Bevza about their current experiences, absurdity and how reality is rebuilt by media…[read on]
We spoke with Libby Heaney about her ongoing exhibition ‘Ent-,’ her art practice that meshes feminist theories and scientific expertise, and her predictions about a technological shift…[read on]
His art practice questions and reflects the digital age we live in, in which artificial intelligence and gamification of reality forge our new aesthetic codes and social behaviors…[read on]
Nicolas Pelzer is a Berlin-based artist whose multimedia body of work—including sculptural installations, video and digital prints—focuses on technology and its effects…[read on]
eeefff is the collective name of Nicolay Spesivtsev and Dzina Zhuk (also known by the alter-ego Bitchcoin), who are based in Minsk and Moscow and have been active since 2013…[read on]
